Where the irreplaceable come together

The eight-artist lineup at a glance

As of July 2026, Galaxy Corporation's artists are G-DRAGON, TAEMIN, Kim Jong-kook, Song Kang-ho, Lee Jung-hoo, Ryu Jun-yeol, Na In-woo and Jung Il-woo — eight in all, spanning K-pop, television, film, drama and sports.

Galaxy Corporation did not build its lineup by collecting promising names in a single genre. It signed people who had already become irreplaceable in their own fields. Starting with G-DRAGON's exclusive contract in 2023, the roster grew rapidly through 2026 alone — TAEMIN in March, Lee Jung-hoo in May, then Ryu Jun-yeol, Na In-woo and Jung Il-woo in July — into a lineup that now cuts across five fields.

And the lineup does not stop at humans. AI avatars that recreate the late entertainers Song Hae and Kim Ja-ok, and humanoid robot entertainers trained on K-pop choreography, move within the same ecosystem. The full structure is laid out in the Hyper-convergence IP Ecosystem Whitepaper.

Music — two artists who define the genre

G-DRAGON is the icon of K-pop and the starting point of Galaxy's lineup; TAEMIN is the artist widely held up as the benchmark for K-pop solo performance.

G-DRAGON is where the Galaxy lineup began. Since signing in 2023, his world tour has driven the company's global IP results, and he became the first proof of Galaxy's strategy of extending an artist's IP across human, virtual and robotic forms. In K-pop, there is simply no substitute for his name — he is the archetype of what Galaxy calls Only-One IP.

TAEMIN joined in March 2026. Moving between group and solo work, he has long been regarded as the finished form of K-pop performance. An artist who commands the language of the body on stage with that much precision connects directly to Galaxy's Physical AI pipeline, which turns choreography into data for robots to learn. His songs, alongside G-DRAGON's, have already been performed on Galaxy's robot stage.

Screen — from Cannes to prime time

Song Kang-ho, Best Actor at Cannes; Ryu Jun-yeol, at home in both film and drama; Na In-woo and Jung Il-woo, with fandoms that reach far beyond Korea — four actors form the screen axis.

Song Kang-ho, winner of Best Actor at the Cannes Film Festival, is the face of Korean cinema. If any name in acting naturally carries the phrase 'irreplaceable and unmatched', it is his.

Ryu Jun-yeol signed in July 2026. An actor with both critical weight and popular reach, he has built a filmography of his own moving between cinema and television.

Na In-woo and Jung Il-woo, who joined the same month, anchor the drama side. Na In-woo has grown an international fandom through global streaming, while Jung Il-woo has built one across Asia over twenty years of hit dramas since his 2006 debut. Galaxy extends both artists' IP beyond drama — into AI content, global fan platforms and brand business.

Only One beyond the stage — TV and sports

Kim Jong-kook owns a territory of his own where unscripted TV meets fitness; Lee Jung-hoo is Galaxy's expansion of IP into sports.

Kim Jong-kook, singer and television personality, built his own category where entertainment meets fitness. His IP rests not on a single song or show but on the person himself becoming the genre — which is exactly what makes it so extensible into commerce and brand business.

Lee Jung-hoo, an MLB player, joined in May 2026. That an entertainment company signed a professional athlete says something simple: Galaxy reads its lineup not as 'celebrity' but as IP. Sports IP, where performance on the field is itself the content, plugs straight into Galaxy's global fan platform and commerce business.

Why 'Only One' — the originals of hyper-convergence IP

The more irreplaceable the original, the more its extensions — human, alter ego, AI avatar, robot — are worth. Galaxy's lineup strategy is the starting point of its hyper-convergence IP ecosystem.

The reason Galaxy Corporation insists on the Only One of each field lies in the structure of its hyper-convergence IP ecosystem. A person's IP no longer stops at the real individual; it extends into alter egos, AI avatars and humanoid robots. And the value of every extension is proportional to the value of the original. Extend a replicable IP and you merely multiply copies; extend an irreplaceable original and every axis becomes a unique asset.

G-DRAGON's stage recreated as robot choreography, artists' IP flowing into AI content and global fan platforms — the eight-artist lineup supplies eight originals to that ecosystem. Growing the lineup is at once a diversification strategy that lowers dependence on any single artist, and a way of increasing the number of originals the ecosystem can carry. The full logic continues in the Hyper-convergence IP Ecosystem Whitepaper and the Enter-Tech Whitepaper.